What is it about the Irish? A few weeks ago, on a balmy midsummer’s evening, I was a guest speaker at a talk for the inaugural London Short Story Festival, held at Waterstone’s Piccadilly. This three-day literary event was an expertly-run boutique festival packed with workshops, readings and talks, all dedicated to various aspects of the art (and craft) of the short story. The talk had the somewhat provocative moniker What is it about the Irish? and aimed to explore, and explain, the copiousness of the Irish short story. Sharing the panel with me were writers Claire Keegan, Colin Barrett and Mary Costello, none of whom I had met before, with proceedings chaired by the event’s director, Paul McVeigh, who is himself a writer of short stories and novels. Prior to the talk, I had given this assertion-framed-as-a-question a lot of thought. I re-read Anne Enright’s feature on the same subject, which, as editor of the Granta ...
The blog of writer, Jaki McCarrick.